Only God Forgives, directed by Nicholas Winding Refn, has
had a mixed reception. What it makes up for in strong visual style many people
find it lacks in character interaction and emotion. I personally think that the
over formalisation of the speech and characters adds to the idea of being
desensitised to death- everyone in the film is playing a big game. A reviewer
from The Telegraph says “The film’s
characters are non-people; the things they say to each other are
non-conversations, the events they enact are non-drama.” (Colin, 2013). I
would describe the characters more as having a mutual knowledge of human nature
in it’s animalistic and none animalistic forms. The conversations in the film
feel disjointed as if no one is really listening to each other, perhaps because
all the words are meaningless and have to be said in order for the films
destiny to be fulfilled. The tone with which the characters talk makes viewers
rethink the relationship between thought and verbalisation.
The angles used in
the film have similar effect. The symmetry (Fig 1) is alienating- not in a way
that makes you constantly realise you’re are watching a film, more in a way
that makes you feel you should be looking at all the horrific violence you are
surrounded with in a logical manner like the characters in the film. “The Kubrick influence is the most obvious,
in Refn’s use of mise-en-scene, camera movement, spare sound design, blocking,
color and score. Refn frames his shots mainly with the subject in the centre of
a frame that is symmetrical not only in composition but within its own
production design” (Johnson, 2013). Linking to Kubrick is relevant to many
aspects of this film in it’s non fantasy surrealism, with the use of language,
cinematography-and colour.
(Fig 1) Formal symmetrical dinner scene |
Colour plays a big
part in the film, It has an easily recognisable colourscape heavily influenced
by neon culture in Bangkok, where the film is set. The bright colours of the night-time
scenes seem to suggest the strong, raw human emotion- a theme throughout the
film (Fig 2), with the darkness and shadows surrounding them- similar to the
dark patches and pasts of nearly every character that leads them into such
strong violent and sexual situations. Red is used a lot throughout the film- In
and interview, when asked about this Refn said “Red is, on one level, a very frightening image, because it's what we
would look at if we were to open up ourselves. And yet, it's also very erotic.”
(Refn , 2013). This is a contrast to the colourscape used in the home of Chang,
a retired cop – A character who represents justice and old values. In his home
and the surrounding areas earthy yellows, browns and greens are used. A
contrast made even starker when appearing straight after a scene in neon late
night Bangkok.
Bibliography
Colin, R (2013) Only
God Forgives, Review for The Times
at: http://www.telegraph.co.uk/culture/film/filmreviews/10073237/Only-God-Forgives-review.html
Johnson, CJ (2013) Review of Only God Forgives for ABC Local at: http://www.abc.net.au/nightlife/stories/3803442.htm
Refn, NW (2013) Interview with Osenlund R.K for Slant Magazine at: http://www.slantmagazine.com/features/article/interview-nicolas-winding-refn-2013
Illustrations List
(Fig 1) Still from Only
God Forgives at: http://www.focusfilm.co.uk/review-only-god-forgives-forgiveness-sympathy-2541
(Fig 2) Still from Only
God Forgives at: http://dcfilmgirl.com/only-god-forgives-review/
Hi Livi!
ReplyDeleteLook aback at my last comment for more of the same here!! Basically, italicise the film names, check the illustrations list etc...
Also, try not to write in the first person; where you say,
'I personally think that the over formalisation of the speech and characters adds to the idea of being desensitised to death',
you could instead say,
'It could be argued that the over formalisation of the speech and characters adds to the idea of being desensitised to death',
I would have been interested to see what you thought on the Freudian aspect in the relationship between Julian and Crystal?
Other than that, another good review :)